Memory House by Brazilian Director Joao Paulo Miranda Maria Wins the Roger Ebert Award at the 56th Chicago International Film Festival

The Roger Ebert Award, which is presented annually at the Chicago International Film Festival to an emerging filmmaker whose work represents a fresh and uncompromising vision, was received this year by “Memory House,” a highlight of the 2020 New Directors program, directed by João Paulo Miranda Maria. According to the official festival synopsis, this Brazilian-French co-production is “set in southern Brazil, a strange Austrian colony of sorts lost in time, where indigenous-Black man Cristovam has arrived from the north to take a job at a milk factory.”

“In the face of unrelenting xenophobia and racism, he finds refuge in an abandoned house filled with art objects and folkloric memorabilia that connect him back to his roots,” the synopsis continues. “Soon, the mysterious relics start to provoke a metamorphosis within him. Endowed with a newfound sense of identity and power, Cristovam’s quiet forbearance turns to emboldened action—and tension mounts, building to a mythic, stunning conclusion. Rich, evocative photography and an unsettling tone envelop this uncanny tale that unmasks the social, racial, and political tensions facing Brazil today.”

Participating on the New Directors jury this year were professor and critic Fernando E. Juan Lima, filmmaker Yannis Sakaridis, Schortcut Films COO Myriam Sassine, Sofia IFF/Art Fest Ltd. Managing Director Mira Staleva and filmmaker Thelma Vickroy.

The Roger Ebert Award was presented by Chaz Ebert, who explained the motivation of the jury: “A timely, challenging reflection on isolation and racism bringing ancestral spirits and allowing them to enter into the present as last guardians for the sanity of the indigenous people. A daring debut that pictures a collapsing world as if in a bizarre shamanic trance with its dream sequences and hallucinogenic visions guiding us into the deep powerful realm of archetypes and myths.” João Paulo Mirando Maria accepted the award on Zoom from his home in Brazil.

Chaz Ebert also congratulated Vivian Teng, Mimi Plauché, Sam Flancher, Anthony Kaufman and the board of the Chicago International Film Festival for producing a successful film festival under very challenging conditions this year. She noted that the Festival started auspiciously with an opening night presentation of the documentary “Belushi” at the Drive-In, and ended with a fully international awards program on Zoom that “put the ‘I” in International.” “Roger would give you a Thumbs Up,” she told them, holding aloft a sculpture of a Golden Thumb. 

For the full list of winners at the 56th Chicago International Film Festival, click here.

Similar Posts

  • London Film Festival 2020: SOUL

    There are arguably three different kinds of Pixar movies. There are the Exclusively-For-Kids movies (think Cars, The Good Dinosaur, A Bug’s Life), then there are the For-All-Ages movies (The Incredibles, Finding Nemo, recently released Onward), and finally, there are the ones that transcend age entirely and manage to break out of the traditional structures of…

  • SXSW 2021: HERE BEFORE, THE SPINE OF NIGHT, & BROADCAST SIGNAL INTRUSION

    You can always count on SXSW to deliver some thrillers that, through their low-budget limits, find a new style or storytelling form to stand out. Here Before provides the creeps with an extra layer of grief, The Spine of Night throws fantasy genre conventions out the window by embracing cosmic horror elements, and Broadcast Signal…

  • Futurama Returns with Uneven but Often Funny New Season on Hulu

    You just can’t kill Philip J. Fry. When Matt Groening premiered “Futurama” on FOX back in 1999, he probably foresaw it running for decades, much like his beloved TV staple “The Simpsons.” That wasn’t meant to be, and FOX canceled the witty animated sci-fi comedy in 2003, but reruns on Adult Swim did well enough…

  • State Theatre in Bay City, Michigan

    The exterior of this indie theater is eye-catching enough, a multicolored marquee attracts visitors, but it’s the inside that’s truly an exceptional work of art. The walls are decorated to resemble a Mayan temple, complete with glyphs and native-themed patterns as far as the eyes can see. Read moreA Guide to The Perfect Bong Joon-ho…