The recently concluded 45th edition of the Toronto International Film Festival was the first to have been stricken by the circumstances that the entire world has been suffering from. Despite the ongoing pandemic, the folks at the Toronto International Film Festival were able to put on an incredible show with an astounding amount of variety in their lineup. Yet, for a wider audience than ever before, there were so many to pick and choose from that this left many films flying under the radar and unfortunately not getting as much attention as they deserved from the wider cinemagoing public. However, since the festivals’ conclusion, we want to shine a light on some hidden gems that for some reason or another, deserve to be on any independent film lover’s radar as they go through their subsequent releases.
Memory House (João Paulo Miranda Maria)
Aiming at a similar level of multi-genre social commentary that was seen earlier this year in Bacaru, Memory House showcases an intriguing but slow-moving story that succeeds because of its surreal flair and its impactful message. It discreetly attempts to cross into other genres, but just as it starts to pick up, it ends in a puzzlingly conflicting way. However, it’s powerful visuals and ambiguity make it one that those who love international films must add to their respective watchlists.
Still Processing (Sophy Romvari)
Hauntingly beautiful, Still Processing is a relatively brief but impactful short that is carried by director Sophy Romvari’s watchful eye. The cinematography is truly stunning, especially in the darkly lit scenes, and a central performance paired with great editing makes it a must-see testament to lost memories and familial bonds expressed through an intimate and personal narrative that shows that Romvari will be a talent to watch in the near future.
Apples (Christos Nikou)
The directorial debut of Yorgo Lanthimos‘ newest protege, Christos Nikou, Apples tells the timely story of a virus that results in memory loss disorders across the city, as we follow Aris, who is forced to confront his severe amnesia through an experimental new treatment. While Nikou presents an interesting concept that was visually and thematically explored well, it could have benefited from a more engaging and less passive narrative, missing the bite that has made Lanthimos into such a prominent figure in the industry. Regardless, Nikou is a director to keep your eye on, as once he begins to tell more gripping narratives, there’s no telling how far he has the potential to reach in his filmmaking career.
Benjamin, Benny, Ben (Paul Shkordoff)
While on the surface it may seem to be a baffling narrative misfire without any purpose, upon closer inspection, it is a short film that is much more than any of that. A story about racial trauma and how even the smallest obstacles can change the course of one’s career and life, the captivating direction adds much to the atmosphere of crippling uncertainty and ensures that while this short may need a more attentive eye to grasp its ambitions, once one is swooned by its direction, it will have been well worth a watch.
Found Me (David Findlay)
A thrillingly brief short that successfully taps into the adrenaline rush and excitement of being a fan of your new favorite sport, Found Me is a well-shot and dynamically told insight into the mind of a young man who gets involved in an underground wrestling community as one of it’s most passionate fans. While a bit too contained for its own good, it will be sure to resonate with wrestling fans and general lovers of sport all over the world.
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