All the World’s a Stage: The Limitations of Artifice in DISHONORED
No single image could possibly encapsulate the totality of Josef von Sternberg and Marlene Dietrich‘s artistic collaboration, but the moment that probably comes closest arrives at the end of their 1931 masterpiece, Dishonored. Dietrich‘s Austrian prostitute-turned-spy, Agent X-27, convicted of treason and sentenced to death by her own odious government for saving the life of…




















