Yorgos Lanthimos Gets Even Weirder with Anti-Doppelgänger Short ‘Nimic’
Yorgos Lanthimos has a thing about identity. From his experimental underground beginnings to the Oscar-nominated The Favourite, it’s the defining theme of his work — less conspicuous, maybe, than the fish-eye cinematography and deadpan line readings characteristic of his films, but no less quintessential a hallmark. In Kinetta and Alps, Lanthimos explores the relationship between…